The basic element of the work is time -- finite and inconspicuous. The
surfaces are shaped loosely and non-hierarchically, in response to an
idiosyncratic nature. The result is determined only by an internal
need for completion; it does not depend on anything, nor does it
attempt to describe something. The work appears to be following
different properties at any given time, creating a subconscious
layering whereby nothing is explicitly or schematically stated, and
thus giving an impression of incompleteness or inconsistency. The
presence of each layer is encrypted, covering up the actual image
process, yet aiming for a liminal emergence in the edges of visual
apprehension. The work exists only insofar as it is seen; it resides
in the moment of its spektatorship. Any other interpretation remains
groundless and arbitrary: these are merely projections of my own
insecurity and of the fundamental need to overcome it.